Musica Aeterna de 2 Jun 2019
Os 500 anos sobre a estreia do ‘Auto da Barca da Glória’ de Gil Vicente e a música de Damião de Góis, Pedro de Escobar, Nicolas Gombert, Fernão Gomes Correia, Cristóbal de Morales, Hildegard von Bingen, de autores anónimos e das Matinas do Ofício de São Geraldo de Braga, festividade anualmente celebrada a 5 de Dezembro de harmonia com o Breviário local de 1494.
Musica Aeterna dedicado à vida e a obra de Hildegard von Bingen (1098-1179), a “Sibila do Reno”, abadessa beneditina, visionária, profetisa teutónica e considerada como a compositora mais importante da Idade Média.
Myth: Women were oppressed in the Middle Ages
In the 1960s and 1970s, the idea that women were oppressed in the Middle Ages flourished. In fact, all we need to do is think of a few significant women from the period to see that that is not true at all: St Joan of Arc was a young woman who was given full control of the French army! Her downfall was political and would have occurred whether she were male or female. Hildegard von Bingen was a polymath in the Middle Ages who was held in such high esteem that Kings, Popes, and Lords all sought her advice. Her music and writing exists to this day. Elizabeth I ruled as a powerful queen in her own right, and many other nations had women leaders. Granted women did not work on Cathedrals but they certainly pulled their weight in the fields and villages. Furthermore, the rules of chivalry meant that women had to be treated with the greatest of dignity. The biggest difference between the concept of feminism in the Middle Ages and now is that in the Middle Ages it was believed that women were “equal in dignity, different in function” – now the concept has been modified to “equal in dignity and function”. Via.
Jos d'Almeida é um compositor de música electrónica épico sinfónica, podendo este género ser também designado como Electrónico Progressivo. Na construção de um som celestial, resultante da fusão de várias correntes musicais, JOS utiliza os sintetizadores desde os finais dos anos 70.
João Paulo Esteves da Silva, Mário Franco, and Samuel Rohrer – The Fireplace
João Guimarães Grupo
“UM”, o segundo trabalho de João Guimarães (sax alto e composição) featuring Hermon Mehari (trompete), Travis Reuter (guitarra eléctrica), Eduardo Cardinho (vibrafone), Óscar Graça (piano e sintetizador), Francisco Brito (contrabaixo) e Marcos Cavaleiro (bateria)
Mário Franco – Rush
“Rush” new album by Mário Franco (bass) featuring Sérgio Pelágio (guitar), Óscar Graça (piano), Luís Figueiredo (hammond organ) and Alexandre Frazão (drums)
From Baroque to Fado – A Journey Through Portuguese Music
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RT @SCPModalidades: #FutsalSCP | ⏹️ FINAL DO JOGO:
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