Posts Tagged ‘ HIGH-RES ’

‘O Casamento da Virgem’, de Rafael

No dia em que passam 500 anos da morte de Rafael, a par de Leonardo da Vinci e de Miguel Ângelo, um dos grandes mestres do Renascimento, escolho o retábulo que o genial artista executou em 1504, Lo Sposalizio della Vergine – O Casamento da Virgem.
A encomenda da Família Albizzini para a igreja de San Francesco em Città di Castello, pertence actualmente à Pinacoteca di Brera, em Milão.

‘Woman with a Parasol in a Garden’, by Pierre-Auguste Renoir

From Pierre-Auguste Renoir [1841-1919], French leading painter in the development of the Impressionism, born in Limoges on this day February 25, Woman with a Parasol in a Garden, 1875. See this work in Museo Nacional Thyssen-Bornemisza, Madrid.

Pierre-Auguste Renoir [1841-1919] – Woman with a Parasol in a Garden, 1875
Museo Nacional Thyssen-Bornemisza, Madrid

‘A Turn of the River Loing, Summer’, de Alfred Sisley

De Alfred Sisley [ 30 Outubro 1839 – 29 Janeiro 1899], A Turn of the River Loing. Summer, 1896.

Alfred Sisley – ‘A Turn of the River Loing. Summer’, 1896
Carmen Thyssen-Bornemisza Collection on loan at the Museo Nacional Thyssen-Bornemisza

‘Course de chevaux’, de Théodore Géricault

De Théodore Géricault [26 Setembro 1791 – 26 Janeiro 1824], ‘Course de chevaux’, c.1817.

Théodore Géricault [1791-1824] – ‘Horse Race’, ca. 1817
Museo Nacional Thyssen-Bornemisza, Madrid

‘The Bathers’, by Paul Cézanne

From Paul Cézanne [19 January 1839 – 22 October 1906], The Bathers, 1899/1904

Paul Cézanne – The Bathers, 1899/1904
The Art Institute of Chicago

Through his studies of groups of bathers outdoors, Paul Cézanne reconceived a classical subject in a modern, pictorial idiom. Though clearly related, The Bathers is not a study for either of the monumental canvases of bather subjects that the artist left unfinished at his death; rather, it is an independent, exploratory work painted with a more spritely touch. For all its compositional complexity, it retains the lightness of a watercolor, with thin parallel strokes and dashes and areas of white-primed canvas showing through the paint.

‘La piedad’, de Jose de Ribera

De Jose de Ribera (Lo Spagnoletto) [12 Jan 1591 – 2 Set 1652] – La Piedad, 1633

José de Ribera – La Piedad, 1633
Museo Nacional Thyssen-Bornemisza, Madrid

‘Hussardos a galope’, de August Macke

De August Macke [3 Janeiro 1887 – 26 Setembro 1914], Hussardos a galope de 1913.

Museo Thyssen- Bornemisza

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