Posts Tagged ‘ Expressionismo Abstracto ’

‘Small Rebus’, de Robert Rauschenberg

Robert Rauschenberg [October 22, 1925 – May 12, 2008] – ‘Small Rebus’, 1956

Robert Rauschenberg, “Small Rebus,” 1956.
Art © Robert Rauschenberg Foundation/Licensed by VAGA,

As Quatro Estações de Cy Twombly

Podcast de Patricia Smithen, Conservadora da Tate Modern.
Em cada estação de
Cy Twombly (in retrospectiva de 2008), as cores mostram a mudança de luz e temperatura. Começamos pela Primavera, a estação da energia e da esperança renovadas.


A justaposição de bocas braços e pernas faz, desta obra de Willem de Kooning, mais do que abstracta, talvez uma das mais tardias expressões do cubismo. Leituras?


Willem de Kooning - Excavation, 1950


11 de Setembro de 1953

No meio de tanta artwork pós 11 de Setembro, não consigo evitar ver nesta obra com 55 anos uma espécie de antevisão do apocalipse em Nova Iorque, presumivelmente influenciada pelo  clube dos copofonistas.

Franz Kline - New York, N.Y. - 1953

Franz Kline - New York, N.Y. - 1953


b. 1910, Wilkes-Barre, Pa.; d. 1962, New York CityFranz Kline was born May 23, 1910, in Wilkes-Barre, Pennsylvania. While enrolled at Boston University, he took art classes at the Boston Art Students League from 1931 to 1935. In 1935, Kline went to London and attended Heatherley’s Art School from 1936 to 1938. He settled permanently in New York in 1939. During the late 1930s and 1940s, Kline painted cityscapes and landscapes of the coal-mining district where he was raised as well as commissioned murals and portraits. Kline was fortunate to have the financial support and friendship of two patrons, Dr. Theodore J. Edlich, Jr., and I. David Orr, who commissioned numerous portraits and bought many other works from him. In this period, he received awards in several National Academy of Design Annuals.     

In 1943, Kline met Willem de Kooning at Conrad Marca-Relli’s studio and within the next few years also met Jackson Pollock. Kline’s interest in Japanese art began at this time. His mature abstract style, developed in the late 1940s, is characterized by bold gestural strokes of fast-drying black and white enamel. His first solo exhibition was held at the Egan Gallery, New York, in 1950. Soon after, he was recognized as a major figure in the emerging Abstract Expressionist movement. Although Kline was best-known for his black-and-white paintings, he also worked extensively in color, from the mid-1950s to the end of his life.

Kline spent a month in Europe in 1960, traveling mostly in Italy. In the decade before his death, he was included in major international exhibitions, including the 1956 and 1960 Venice Biennales and the 1957 São Paulo Bienal,and he won a number of important prizes. Kline died May 13, 1962, in New York. The Gallery of Modern Art, Washington, D.C., organized a memorial exhibition of his work that same year.




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