Tobias Hume (c.1569 – 16 April 1645)

How I became acquainted with the “Musicall Humors” – Jordi Savall (Prague, 28th of May 2004)
It was almost forty years ago, as the hot summer of 1964 drew to its close, that I made the fascinating discovery of the Musicall Humors of Tobias Hume. I had just completed my cello and music studies at the Barcelona Conservatoire and was beginning to study and teach myself the viola da gamba, an instrument which at that time was extremely rare and played by only a handful of pioneers and enlightened enthusiasts scattered all over the world.
After the Trattado de Glosas by Diego Ortiz (Rome, 1553), the first published work essentially devoted to the art of improvisation (for viola da gamba and accompaniment), The First Part of Ayres, containing the Musicall Humors  of Tobias Hume (printed in London in 1605), was the first historical edition of works composed for the solo bass viol. With more than one hundred pieces for this instrument, it became a unique and major source for our understanding of the bass viol’s repertory and historical development.
I was eager to find an opportunity to study these collections with their fascinating titles and intriguing tablatures.  That opportunity came a few months later in London, in the magical silence of the British Library’s Reading Room. I can still remember my excitement in that venerable place as I imagined how Loves Farewell, Death & Life, and the various Souldiers March, Galliards and Resolutions might sound, and tried to crack the code of those old notation systems and tablatures.
2012
04/16
POSTED BY
CATEGORY
Efeméride
Música
YouTube
TAGS


Write comment

  1. No trackbacks yet.

Deixe uma Resposta

Preencha os seus detalhes abaixo ou clique num ícone para iniciar sessão:

Gravatar
Logótipo da WordPress.com

Está a comentar usando a sua conta WordPress.com ( Terminar Sessão /  Alterar )

Google photo

Está a comentar usando a sua conta Google ( Terminar Sessão /  Alterar )

Imagem do Twitter

Está a comentar usando a sua conta Twitter ( Terminar Sessão /  Alterar )

Facebook photo

Está a comentar usando a sua conta Facebook ( Terminar Sessão /  Alterar )

Cancelar

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Jos d’Almeida

Jos d'Almeida é um compositor de música electrónica épico sinfónica, podendo este género ser também designado como Electrónico Progressivo. Na construção de um som celestial, resultante da fusão de várias correntes musicais, JOS utiliza os sintetizadores desde os finais dos anos 70.

Web Radio – Antena 2

 

Visita Guiada

visita-guiadaVisita Guiada é um programa de televisão e de rádio que dá a conhecer o Património Cultural português.

Amália por Júlio Resende

“No final, isto é um disco de música e espero que vá ter ao lugar que lhe pertence, que é o do coração, não o do intelecto.” — Júlio Resende.

André Barros – Brisas De Outono

 

João Barradas

João Barradas

Home: “An End as a New Beginning”

João Pedro Silva

“Home”, do saxofonista
João Pedro Silva

João Paulo Esteves da Silva, Mário Franco, and Samuel Rohrer – The Fireplace

João Guimarães Grupo

“UM”, o segundo trabalho de João Guimarães (sax alto e composição) featuring Hermon Mehari (trompete), Travis Reuter (guitarra eléctrica), Eduardo Cardinho (vibrafone), Óscar Graça (piano e sintetizador), Francisco Brito (contrabaixo) e Marcos Cavaleiro (bateria)

Mário Franco – Rush

“Rush” new album by Mário Franco (bass) featuring Sérgio Pelágio (guitar), Óscar Graça (piano), Luís Figueiredo (hammond organ) and Alexandre Frazão (drums)

From Baroque to Fado – A Journey Through Portuguese Music

Hespèrion XXI & Jordi Savall – Ghazal

%d bloggers like this: